By Alison Landsberg
Reading motion pictures, tv dramas, fact exhibits, and digital shows, between different renowned texts, Engaging the Past examines the making and that means of historical past for daily audience. modern media can inspire advanced interactions with the prior that experience far-reaching effects for heritage and politics. audience event those representations individually, cognitively, and physically, yet, as this booklet finds, not only through selecting with the characters portrayed.
Some of the works thought of during this quantity contain the movies Hotel Rwanda (2004), Good evening and stable Luck (2005), and Milk (2008); the tv dramas Deadwood, Mad Men, and Rome; the truth exhibits Frontier House, Colonial House, and Texas Ranch House; and the key Annex on-line, accessed in the course of the Anne Frank apartment site, and the Kristallnacht convey, accessed in the course of the Unites States Holocaust Museum site. those mass cultural texts domesticate what Alison Landsberg calls an "affective engagement" with the previous, tying the viewer to an occasion or individual and fostering a feeling of intimacy that does greater than shipping the viewer again in time. impact, she indicates, may also paintings to disorient the viewer, forcibly pushing her or him out of the narrative and again into his or her personal physique. by way of interpreting those particular well known background codecs, Landsberg exhibits the original method they galvanize historic pondering and bring old wisdom, prompting a reconsideration of what constitutes historical past and an realizing of ways heritage works within the modern mediated public sphere.
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Additional resources for Engaging the Past: Mass Culture and the Production of Historical Knowledge
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