By Ian Conrich, Estella Ticknell
The authors are excited about either the connection among functionality, track, and movie and the specificity of nationwide, old, social, and cultural contexts. topics comprise: cinematic representations of song kinds; celebrities, fan tradition, and intertextuality; the significance of well known track and the soundtrack motion picture; and particular nationwide contexts.
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Extra info for Film's Musical Moments (Music & the Moving Image)
3 list labels, a list distributorship, a list urgent plant (Mallard) and a proportion of a expertise administration corporation, Clark was once now “vertically built-in” in the tune enterprise. ’12 although Clark’s sup-remely influential place in the well known tune enterprise within the past due Nineteen Fifties used to be the obvious results of his advertisement manoeuvrings, it used to be now not the single one. although by no means as very important as his tv paintings, Clark’s involvement with self sustaining movie construction started an analogous yr as American Bandstand. An technique got here from Bob Marcucci who owned Chancellor, a small Philadelphia checklist label whose product used to be dispensed by way of Am-Par. With Marcucci and Bernie Binnick (co-owner with Clark of Swan files) Clark shaped the Binlark corporation to supply finance for the movie Jamboree, produced for and disbursed by way of Warner Bros. in 1957. Clark seemed within the movie along a few different disc jockeys, including musical performers as different as Frankie Avalon, Carl Perkins, fat Domino, Jerry Lee Lewis and 50 TELEVISION,THE POP AND THE HOLLYWOOD MUSICAL count number Basie and a couple of lesser artists who recorded with Chancellor. Cameo documents’ Charlie Gracie used to be additionally within the movie. Like many related movies at the present, Jamboree used to be little greater than an excuse to take advantage of and advertise recognized and less-well-known recording artists. With the thinnest of self-reflexive plots revolving round the efforts of 2 brokers to advertise a hit-making duo, the film’s revue constitution privileges the merchandising of a succession of artists in whom Marcucci, Clark and others already had a monetary curiosity. Clark’s curiosity in movie creation was once consolidated in 1958 with the formation of his Drexel photos Corp, which produced simply because They’re younger, dispensed by means of Columbia photographs in 1960, a movie within which Clark performs a high-school instructor in a task no longer in contrast to Glenn Ford’s within the 1955 The Blackboard Jungle. With one other corporation, Drexel motion pictures Corp, Clark had a two-picture take care of United Artists and seemed within the 1961 movie The younger medical professionals. finally, Clark’s involvement with movie was once to merge together with his pursuits in tv creation, as Dick Clark Productions turned a huge participant in Hollywood within the Nineteen Seventies. thirteen the level of Clark’s strength and effect all through and past the USA’s ‘pop village’ used to be to turn into obvious within the position he performed within the improvement and merchandising of the twist craze in 1960. notwithstanding it truly is attainable to determine the origins of the twist in black dance tune relationship again to the beginnings of the 20 th century, a modern model known as ‘The Twist’ recorded via Hank Ballard and the Midnighters reached the R&B chart in 1958. 14 With their attractiveness for a bit of raunchy lyrics in numbers similar to ‘Work With Me Annie’ and with their difficult gospel part, Ballard and the Midnighters have been not going to have the ability, or be allowed, to widen their attract white audiences. inspired by means of the neighborhood luck of the list, Clark made up our minds to checklist a canopy model utilizing Ernest Evans, a tender guy who, whereas operating in a bird store in Philadelphia, had already recorded 4 unsuccessful singles less than the identify of overweight Checker for the expressway label, a subsidiary of Bernie Lowe’s Cameo files.