By Marek Haltof
When you consider that his loss of life in 1996, Krzysztof Kieslowski has remained the best-known modern Polish film-maker, and some of the most well known and revered ecu administrators, across the world well known for his formidable Decalogue and 3 shades trilogy. during this new addition to the Directors' Cuts sequence, Marek Haltof presents a entire examine of Kieslowski's cinema, discussing business practices in Poland and stressing that the director didn't healthy the conventional photograph of a 'great' East-Central ecu auteur and that his movies also are exact within the context of Polish cinema.
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Extra info for The Cinema of Krzysztof Kieślowski: Variations on Destiny and Chance (Directors' Cuts)
Seventy seven Emma Wilson, reminiscence and Survival: The French Cinema of Krzysztof Kieślowski (Oxford: eu Humanities examine Centre, collage of Oxford, 2000), 60. seventy eight Coates, ‘The internal life’, one hundred seventy. seventy nine Alicja Helman, ‘Women in Kieślowski’s past due motion pictures’ [translated from the Polish via Paul Coates], 164 08 Notes T H E C I N E M A O F okay R Z Y S Z T O F okay I E ŚL O W S ok I 164 18/1/04, 2:30 pm in Coates, Lucid goals, 124–5. eighty Tadeusz Sobolewski, ‘Żyliśmy tam wszyscy’ [interview with Krzysztof Kieślowski], Kino 7–8 (1994), 23. eighty one Stok, Kieślowski on Kieślowski, 218. eighty two Stephen Pizzello, ‘Piotr Sobociński: Red’, American Cinematographer seventy six, no. 6 (1995), 71–2. earlier than operating with Kieślowski on Decalogue three and nine, Piotr Sobociński (the son of the celebrated Polish cinematographer Witold Sobociński) was once mainly recognized for his collaboration with Filip Bajon. After crimson he labored as a cinematographer on Ransom (Ron Howard, 1996), Marvin’s Room (Jerry Zaks, 1996), Hearts in Atlantis (Scott Hicks, 2001) and Angel Eyes (Luis Mandoki, 2001), between others. eighty three Ibid. , 70. eighty four Stok, Kieślowski on Kieślowski, 223. eighty five Dave Kehr, ‘To keep the realm: Kieślowski’s 3 shades Trilogy’, movie remark, no. 6 (1994), 18. 86 Sobolewski, ‘Peace and Rebellion’, 136. 87 Piotr Wojciechowski, ‘Orzeł, reszka, Kieślowski i Pan Bóg’, movie 7 (1994), forty nine. 88 Kehr, ‘To shop the World’, 20. AFTERWORD 1 Piotr Lis, ‘Summa’, Kino 7–8 (1994), 28. 2 Marek Hendrykowski and Mikołaj Jazdon (eds), ‘Fragmenty spotkania z Krzysztofem Kieślowskim (24 February 1996)’, Kino five (1996), 11–12. three Krzysztof Kieślowski and Krzysztof Piesiewicz, ‘Raj’, conversation three (1997), 5–33. four Krzysztof Piesiewicz, ‘Piekło’, conversation five (1997), 5–31. five Silence got the easiest Director Award (for Michał Rosa) and the simplest Actress Award (for Kinga Preis; shared with Ewa Kasprzyk for Bellissima). the most award, the Golden Lions, was once given to the exceptional Cześć Tereska (Hi, Tessa, 2001), directed via Robert Gliński. 6 Konrad J. Zarębski, ‘Zatrzymać się w ciszy’ [interview with Krzysztof Piesiewicz], Kino 10 (2001), 21 and Konrad J. Zarębski, ‘Ciągłość’ [interview with Michał Rosa], Kino 10 (2001), 23. adaptations ON future AND likelihood 08 Notes one hundred sixty five 18/1/04, 2:30 pm one hundred sixty five FILMOGRAPHY [Based on information from the flicks’ credit and numerous released Polish and English resources. All movies produced in Poland, until indicated differently. ] 1966 Tramwaj (The Tram) 35mm, black and white, brief movie, five minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski images Zdzisław Kaczmarek paintings path Wanda Jakubowska, Kazimierz Konrad construction Łódź movie university forged Jerzy Braszka, Maria Janiec Urząd (The place of work) 35mm, black and white, documentary, 6 minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski images Lechosław Trzęsowski modifying Janina Grosicka Sound Marta Stankiewicz paintings course Jerzy Bossak, Kazimierz Karabasz, Kurt Weber construction Łódź movie tuition 166 T H E C I N E M A O F okay R Z Y S Z T O F okay I E ŚL O W S ok I 1967 Koncert życzeń (Concert of Requests) 35mm, black and white, brief movie, 17 minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski images Lechosław Trzęsowski enhancing Janina Grosicka creation Łódź movie college forged Jerzy Fedorowicz, Andrzej Titkow, Ewa Konarska, Waldemar Korzeniowski, Roman Talarczyk, Ryszard Dembiński 1968 Zdjęcie (The photo) 16mm, black and white, documentary, 32 minutes Director Krzysztof Kieślowski images Marek Jóźwiak, Wojciech Jastrzębowski enhancing Jolanta Wilczak Sound Włodzimierz Wojtyś, Marek Jóźwik creation Polish tv 1969 Z miasta Łodzi (From the town of Łódź) 35mm, black and white, documentary, 17 minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski images Janusz Kreczmarski, Piotr Kwiatkowski, Stanisław Niedbalski modifying Elżbieta Kurkowska, Lidia Zonn Sound Krystyna Pohorecka, Ryszard Sulewski construction WFD (Documentary movie creation Studio) 1970 Byłem żołnierzem (I used to be a Soldier) 35mm, black and white, documentary, sixteen minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski and Ryszard Zgórecki images Stanisław Niedbalski modifying Walentyna Wojciechowska Sound Jan Strojecki construction Czołówka movie Studio Fabryka (Factory) 35mm, black and white, documentary, 17 minutes Director Krzysztof Kieślowski images Stanisław Niedbalski, Jacek Tworek modifying Maria Leszczyńska Sound Małgorzata Jaworska construction WFD (Documentary movie creation Studio) 1971 Przed rajdem (Before the Rally) 35mm, black and white/colour, documentary, 15 minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski images Piotr Kwiatkowski, Jacek Petrycki enhancing Lidia Zonn Sound Małgorzata Jaworska creation WFD (Documentary movie construction Studio) adaptations ON future AND probability 167 1972 Refren (Refrain) 35mm, black and white, documentary, 10 minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski images Witold Stok enhancing Maryla Czolnik Sound Małgorzata Jaworska, Michał Żarnecki construction WFD (Documentary movie creation Studio) Między Wrocławiem a Zieloną Górą (Between Wrocław and Zielona Góra) 35mm, color, promotional documentary, 19 minutes Director Krzysztof Kieślowski images Jacek Petrycki modifying Lidia Zonn Sound Andrzej Bohdanowicz construction WFD (Documentary movie creation Studio); commissioned by means of the Lubin Copper Mine Podstawy BHP w kopalni miedzi (The ideas of safeguard and Hygiene in a Copper Mine) 35mm, color, tutorial documentary, 21 minutes Director Krzysztof Kieślowski images Jacek Petrycki Editor Lidia Zonn Sound Andrzej Bohdanowicz construction WFD (Documentary movie construction Studio); commissioned by means of the Lubin Copper Mine Robotnicy ’71: nic o nas bez nas (Workers ’71: not anything approximately Us with out Us) 16mm, black and white, documentary, forty seven minutes administrators Krzysztof Kieślowski, Tomasz Zygadło, Wojciech Wiszniewski, Paweł Kędzierski, Tadeusz Walendowski images Witold Stok, Stanisław Mroziuk, Jacek Petrycki Sound Jacek Szymański, Alina Hojnacka enhancing Lidia Zonn, Maryla Czolnik, Joanna Dorożyńska, Daniela Cieplińska creation WFD (Documentary movie creation Studio) 1973 Murarz (Bricklayer, published in 1981) 35mm, black and white, documentary, 18 minutes Director Krzysztof Kieślowski images Witold Stok modifying Lidia Zonn Sound Małgorzata Jaworska construction WFD (Documentary movie construction Studio) Przejście podziemne (Pedestrian Subway) 35mm, black and white, brief movie, 30 minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski and Ireneusz Iredyński images Sławomir Idziak enhancing Elżbieta Kurkowska Sound Małgorzata Jaworska creation Tor movie studio solid Teresa Budzisz-Krzyżanowska (Lena), Andrzej Seweryn (Michał), Anna Jaraczówna, Zygmunt Maciejewski, Janusz Skalski, Jan OrszaŁukaszewicz 168 T H E C I N E M A O F okay R Z Y S Z T O F okay I E ŚL O W S okay I 1974 Prześwietlenie (X-Ray) 35mm, color, documentary, thirteen minutes Director Krzysztof Kieślowski images Jacek Petrycki modifying Lidia Zonn Sound Michał Żarnecki construction WFD (Documentary movie construction Studio) Pierwsza miłość (First Love) 16mm, color, documentary, 30 minutes Director Krzysztof Kieślowski images Jacek Petrycki modifying Lidia Zonn Sound Małgorzata Jaworska and Michał Żarnecki creation Polish tv Awards Grand Prix (‘Złoty Lajkonik’) on the 1974 nationwide brief movie pageant in Kraców; designated Jury Award on the 1974 overseas brief movie pageant in Kraców 1975 Życiorys (Curriculum Vitae) 35mm, black and white, docudrama, forty five minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski, Janusz Fastyn images Jacek Petrycki, Tadeusz Rusinek enhancing Lidia Zonn Sound Spas Christow creation WFD (Documentary movie construction Studio) Personel (Personnel, aka Personel Subsidiaries) 16mm, color, drama seventy two minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski images Witold Stok enhancing Lidia Zonn Sound Michał Żarnecki Set layout Tadeusz Kosarewicz construction Tor movie studio, Polish tv forged Juliusz Machulski (Romek Januchta), Michał Tarkowski (Sowa), Tomasz Lengren (Romek), Włodzimierz Boruński (technical director), Irena Lorentowicz (designer), Andrzej Siedlecki (opera singer), Tomasz Zygadło (party activist), Janusz Skalski (head of department), Krystyna Wachełko (girl at the train), Ludwik Mika (opera director), Helena Kowalczyk (Romek’s aunt, now not credited), Wilhelm Kłonowski, Jan Torończak, Jan Zieliński, Edward Ciosek, Henryk Sawicki, Krzysztof Sitarski, Waldemar Karst Awards Award of the Catholic movie project on the 1975 Mannheim movie pageant; Grand Prix within the class of tv productions and newshounds Award on the 1975 competition of Polish movies in Gdańsk 1976 Szpital (Hospital) 35mm, black and white, documentary, 21 minutes Director Krzysztof Kieślowski images Jacek Petrycki modifying Lidia Zonn diversifications ON future AND likelihood 169 Sound creation Awards Michał Żarnecki, Małgorzata Moszczeńska WFD (Documentary movie creation Studio) Grand Prix (‘Złoty Smok’) on the 1977 foreign brief movie competition in Kraców Blizna (The Scar) 35mm, color, drama, 104 minutes Director Krzysztof Kieślowski Script Krzysztof Kieślowski.