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147 Rehearsals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 notable the Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148 garage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148 Transportation of the Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149 Getting conversant in operating within the Studio . . . . . . . . . . . . . . . . . . . . . . . . . . 149 VIII 14 / engaged on place . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 Scouting destinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 reworking a position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 capturing at One place for an additional . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Matching a situation and Studio paintings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 placing all of it jointly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 tips for engaged on situation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 15 / reasonably priced PRODUCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 retaining the construction layout funds Down . . . . . . . . . . . . . . . . . . . . . . . . . one hundred sixty sixteen / GUERRILLA FILMMAKING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 17 / electronic creation layout . . . . . . . . . . . . . . . . . . . . . . . . . . a hundred sixty five Pre-CAD results . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . one hundred sixty five CAD construction layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167 digital construction layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167 CGI in modern movie creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168 effectively Merging CGI expertise with creation layout . . . . . . . . . . . 168 desktop Animation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168 the way forward for electronic Moviemaking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169 18 / how to define A creation dressmaker . . . . . . . . . . . . . . . 171 APPENDIX A / a hundred major movies FOR additional research OF creation layout APPENDIX B / word list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . one hundred seventy five APPENDIX C / BIBLIOGRAPHY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 APPENDIX D / instruments FOR extra examine a last notice INDEX . . . . . . . . . . . . . 173 . . . . . . . . . . . . . . . 185 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189 IX This web page deliberately left clean ACKNOWLEDGMENTS i might first prefer to thank my chairman, Reeves Lehmann, of the dept of movie, Video, and Animation on the tuition of visible Arts in long island urban, and Salvatore Petrosino, his director of operations, to whom this e-book is devoted. Reeves gave me his complete help to educate a construction layout path again in 1994 and Sal has been my consigliere on constructing the category through the years. It used to be Sal’s concept to mount a museum express, “The artwork of construction layout in movement Pictures,” which we co-curated on the visible Arts Museum at SVA in Spring 2000. back Reeves was once there with complete aid and encouragement. My heartfelt due to Silas Rhodes, founder and chairman of the board of the varsity of visible Arts, for his stable graces, for following the trail much less usually taken, and for making a domestic for the examine of artwork. SVA President David Rhodes and vice chairman Anthony P.